His thesis was published as a monograph by Rutgers University press in 2018). Hall is now Head of Department (Media Arts) at Royal Holloway. Nick Hall, ‘The development and use of zoom lenses in American film and television from 1946 to 1974’, 2009-2012. Wickham is the Curator of The Bill Douglas Cinema Museum, Exeter). Phil Wickham, ‘Contemporary Comedy in Britain and the Culture of the New Capitalism’, 2009-2012. Joe Hickinbottom, ‘Japanese Cult Cinema,’ 2011-2015. Magro is now an international producer, lecturer and consultant on Transmedia storytelling, and was artistic director for Valletta 2018 Capital of Culture).Īdam Whybray, ‘Animating Dissent: The Political Object of Czechoslovakian Stop-Motion Film,’ 2011-2014. Jean Pierre Magro, ‘Transmedia Film and the Independent Producer,’ 2011-2014. His thesis was published as a monograph by Bloomsbury Academic in 2019). Davies now works at the British Board of Film Classification as a Senior Compliance Officer. Kerem Bayraktaroglu, ‘The representation of Muslim identity in post 9/11 cinema’, 2012-2017 (P/T).Ĭhris Davies, ‘The Historical Epic on Film,’ 2012-2015. University studentship fundedĮdward Falvey, ‘Reading the Cinematic City: Iconography, Transformations, and the Birth of New York City’, 2013-2017. An Exploration of the Political Economy of Laurel Entertainment, 1974-1988, 2015-2019. Tom Fallows, ‘Survival of the Dead”: Manufacturing Independence in the American Film Industry. Jared Robinson, ‘Studio Greeblie: A Study of Authorship, Cooperation, and Industrial Relationships in Film Special Effects’, 2018-2022.Įlisa Cepedal, ‘Cinema of Resistance: A Manifesto’, 2015-2021. Research studentsīogna Starczewska, ‘Woody Allen and the European City: Representations of Globalisation and the American Tourist in Europe’, 2016-2023. I am interested in considering research projects across the broad spectrum of US film and television. Dana Polan (NYU) as 'strong equally in conceptualization, and industrial and aesthetic analysis'. Jennifer Holt (UC Santa Barbara) as 'fascinating and wide-ranging' and by Prof. Together with Yannis Tzioumakis he has published a new book collection of original essays, entitled I ndie TV: Industry, Aesthetics and Medium Specificity, which examines American independent film's interface with the converged landscape of contemporary television. He has also published widely on the subject of American independent film (see publications). Lyons' work on risk has extended to writing a case study on the visualisation of climate change for the Government Chief Scientific Advisor's report "Innovation: Managing Risk, Not Avoiding it", and he was on the expert panel of the EPSRC-funded network Models to Decisions (M2D), which explored decision-making under uncertainty. The documentary won the Ramillas Interactive Fund Award at Sheffield International Doc/Fest. He was awarded £50,000 to work with award-winning advertising agency Rubber Republic on a documentary on risk and everyday life as part of the AHRC's REACT Future Documentary scheme. Laurie Ouellette (University of Minnesota) as 'conceptually innovative, beautifully written, and politically timely.' You can listen to him being interviewed about his reseach for the Factual America Podcast here. His most recent monograph is entitled Documentary, Performance and Risk, and explores how some of the most significant recent American feature documentaries use performance to dramatically animate major categories of risk. He is one of the founding editors of the film journal Scope and serves on the editorial advisory board. David Thornburn (MIT) in his Cinema Journal review as 'the richest account of a single television program I've ever read', and co-editor of Quality Popular Television, Multimedia Histories: From the Magic Lantern to the Internet, and The Rise of the American Comics Artist: Creators and Contexts. Lyons is also the author of Miami Vice, described by Prof. Lyons was amongst the first scholars to analyse Starbucks' power as a global brand, in his widely-cited Cultural Studies article '‘Think Seattle, act globally’ Speciality coffee, commodity biographies and the promotion of place. He has also appeared in The New York Times talking about his research on Starbucks. James Lyons is the author of Selling Seattle, profiled in The New York Times as a book 'a visitor ought to read to truly understand the American cities and regions where they live, work and travel.' Read the profile here.
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